Data Identification of Cirebon Batik West Java Source of Strength Geographical Indication
Abstract
In the history of batik in Indonesia, We used to know that batik is identified with Javanese culture. In addition, the use of batik cloth is limited to the royal court with a variety of very strict rules. But in its development, batik is no longer owned by Javanese, batik has now become one of the "national clothes" of Indonesia that is used by Indonesians throughout the archipelago on various occasions. In West Java batik has grown and developed in 27 regencies/cities spread from the eastern part of the Cirebon district to the western of West Java, Depok. There are potential characteristics and excellences from each region in West Java that people could not find in other regions. The uniqueness and characteristics of batik in certain area are part of the protection system of geographical indications that identify an area of the country, as the origin region of the product, where the reputation, quality and characteristics of related products are largely determined by geographical factors in the region. The need for a complete and accurate identification in the protection of Geographical Indications is very important considering batik products in West Java have enormous potential that can be protected as part of Geographical Indications (IG) which can be used as marketing tools in the world of commerce, both at the national and international level.
Keywords: Cirebon Batik, Geographical Indication, Identification
Keywords :
There is no Figure or data content available for this article
References
Chaplin, J.P. 2008. Kamus Lengkap Psikologi. Translated by Kartini Kartono. Jakarta: PT Raja Grafindo Persada.
Calvin S. Hall (1959). Sigmund Freud. Suatu pengantar ke dalam ilmu jiwa Sigmund freud. Jakarta. PT. Pembangunan
Djoemena, Nian S., 1986. Ungkapan Sehelai Batik Jakarta: Djambatan.
Hamzuri. 1985. Batik Klasik (Classical Batik). Jakarta: Djambatan.
Honggopuro, Kalinggo. 2002. Batik Sebagai Busana Dalam Tatanan dan Tuntunan. Yayasan Peduli Keraton.
Indonesia Indah Batik 8. Jakarta: Yayasan HarapanKita/BP3 Taman Mini Indonesia Indah.
Irianto, Bambang drh. Makna Simbolik Batik Keraton Cirebon: Deepublish, 2015.
Kudiya, Komarudin . 2018. Kreatifitas Batik Cap dan Tulis. ITB Press Penerbit. Bandung
KBBI, 2016. Kamus Besar Bahasa Indonesia (KBBI).
Lombard, Denys. 2008. Nusa Jawa: Silang Budaya Kajian Sejarah Terpadu Bagian II: Jaringan Asia. Jakarta: PT.
Poerwadarminta. 2007. Kamus Umum Bahasa Indonesia. Jakarta: PN Balai Pustaka.
Ramli, Ahmad dan Risang Ayu, Miranda. (2018). Kekayaan Intelektual Pengantar Indikasi Geografis. PeneribitPT. Alumni – Bandung.
Rosidi, Ajip, dkk. Ensiklopedi Sunda, Jakarta: PT Pustaka Jaya
Rosidi, Ajip ; Ekadjati, Edi S.; Alwasilah, A. Chaedar, 2006, Konferensi Internasional Budaya Sunda (KIBS), Jilid 1, Bandung: Yayasan Kebudayaan Rancage dan PT Dunia Pustaka Jaya
Sugiyono. 2010. Metode Penelitian Pendidikan
Tirta, Iwan. Batik Sebagai lakon, Jakarta: Gaya Favorit Press, 2009
How to Cite This
Copyright and Permissions
Authors who publish with Kosmik Hukum agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.